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Risso has once again shown in his own visionary way how fashion serves as a means of expression and communication. Being one of the leading fashion retailers with a customer group of Gen-Z luxury consumers, the Shanghai concept store ENG bridges the gap between retail and entertainment. Through an experience-driven, highly conceptual shopping experience, the famous store attracts the fashion-forward crowd of the metropole. For their latest project, the label has made it their aim to raise awareness about the increase of hate crimes against Asians.
Showing severe percentages already before the pandemics, hate crimes against Asians have almost doubled. The project is tailored towards the global StopAsianHate campaign and came to life with international and Chinese brands creating t-shirts, whose full retail proceeds are donated to the Stop East and South-East Asian Hate Campaign. The campaign is replenished by a trilogy of podcasts with Susie Lau and Asian creatives, in which matters of prejudice and bias are reflected upon. In particular, the episodes touch upon the barriers in the Western educational system, that young Asian creatives are confronted with. The designed t-shirts as well as the podcast are accessible online at ENG.
Donations for the GoFundMe campaign can be made through the link below. Taking inspiration from the metropolitan dynamic of Munich in the s, the two brands have created an E-bike that unites their expertise and design language in a future-oriented way. Whereas this collaboration marked a step into unknown waters for MCM, the outcome sets a high for successfully combining urban mobility with a luxurious lifestyle.
A 3D-printed frame, entirely coated in copper and adorned with the iconic Visetos Monogram - that is unmistakably associated with MCM - exudes an opulent aesthetic. Logo-embossed brass framings and reflective MCM emblems plastered over the rims make for an impressive, lasting brand impression. The attention to detail goes beyond the bike itself. From September 22nd onwards, 10 of the bikes will be presented in selected MCM stores worldwide.
The e-bike, limited to 40 pieces, will be available online from October 1st. We are in motion. The prominent silhouette of the SS22 collection is wide and flowy, yet structured; achieved by tailored garments made from delicate fabric. Oversized blazers are combined with clean palazzo trousers, voluminous straight-cut coats layered over slit skirts and long figure-flattering dresses balanced with loose overshirts. Designed with fabric combinations such as cotton, chenille, shimmery silks and matte wool, the looks offer an intriguing mix of material while remaining neutral and wearable through their muted color palette of discrete cream shades, classic earth tones, and pastels such as pale peach, light green and sky blue.
With the recent eruption of outdoor interests, the world of womenswear has been opened to new spheres. Timeless styles and considerate details are prompts that attract the educated, selective customer of these days. Doucal translates these variables into their design, in particular with three of their shoe models. For the FW collection, Doucal has put a spin on their classic Chelsea boot from the previous collection by focusing on an aerodynamic shape, giving the well-established boot a more athletic touch.
Shiny leather combined with a rubber sole creates a trans-seasonal mood that delivers durability. Similarly, the loafers of the Italian brand combine tradition with comfort through a rubber sole. Additionally, the collection premieres an ankle boot with a flared heel that picks up the material mix of the collection. Previous models, such as the Kobe and Andrew, are reborn with new color palettes, nylon waterproof patches and wax treatments while offering a range from walking shoes, boots to monk shoes and loafers.
The exhibition investigates the notion of the body through a variety of media such as moving images, photography as well as performance. The exhibitions features artistic positions concerning the body from the s to recent days, which makes for an intriguing insight into the influence of the digital and post-digital realms that have shaped our perception of bodies immensely.
Touching upon current topics with political value, Body Ecstatic Body Eclectic Body Eccentric thematizes traditional conceptions of gender and sexuality, self-presentation and the female narrative of the fight for social justice. In this sense, the exhibition proposes insight into what the body desires these days, how they metamorphose and adapt to societal pressure and consequently how the body can break free from the limitations that are postmarked upon them by certain standards. Voices speak volumes and every voice has the power to affect and change the world. The campaign features international voices of the entertainment industry from the United States, Korea and Nigeria.
Together with these ambassadors, Tommy Hilfiger aims to create a global interface of discussion, where consumers can express their visions and inspirations to create change. And you still rise. Every person, every voice can change the world. So what do you have to say? Collecting answers to questions on what inspires one to make a difference, what would one say if the world was listening and what drives one towards the future, the Pass the Mic aims to give the audience a platform where engaging conversation erupts.
The eight galleries present a plethora of artworks from various artists, including conventional mediums like sculptures and paintings, as well as more contemporary takes on art through videos, installations and photography. The exhibition stretches over two floors in the industrial setting of the Wilhelm Hallen, whose architectural characteristics make for an excellent exhibition space.
The artworks are placed alongside the raw concrete walls, hung from the iron frameworks of the high ceilings and integrated into the pillars and braces of the former iron foundry. The vast space allows the individual art works to unfold on their own, honoring the research and creativity of each individual, while contributing to a unique undertaking that emphasizes the art scene as an entity and delivers a diverse and manifold art experience to the audience. The joined exhibition and the vast location invite to articulate a dialogue, not only between the artworks themselves but also between the visitors — highlighting the common threads that link the artworks and their audience together.
Extending the annual event of Berlin Gallery Weekend, the melting pot capital is hosting a special offshoot of the art event that focuses in particular on up and coming talents of the art scene. For three days, the city turns into a hub of artistry, showcasing the work of young creatives in all their manifoldness. The exhibitions feature a variety of topics revolving around current matters, personal views and the latest developments. Prior to the opening for the public four authors have visited the sites and derived and put to paper four tours that provide support for visitors who do not know their way around Berlin.
The routes are accessible in written form on the Berlin Gallery Weekend website, where visitors can get a first glimpse on what awaits them during their time without giving away the details that can be discovered on the tours. A canvas covered in dense paint strokes, winding curves, blurred layers of emerald green and greyish billows of smoke.
The painting reminds of a deep forest, dense undergrowth blends into shadow shapes. A portrait of a girl, hiding beneath a surface of paint. Diverging saturations of color tease the eye of the observer, the dimensions between the girl and the surface are impossible to gauge. Artworks like these, where mystical sceneries and fantastical creatures become alive in the observer's eye are the signature pieces of Brook Hsu. Hsu, who is known for interweaving autobiographical and imaginative elements, includes a combination of painting, textiles, sculptures and texts into her body of work. Her paintings titillate the imagination of the observer, inviting into mythological realms embedded in art historical narratives.
Hsu creates depth by playing with shapes, contours and layers. Nuances of black and varying shades of green are an integral component of her work. Not least the color choice contributes to the narrow ridge between a menacing and calming message that her paintings convey. The piercing, at times feverish imagery addresses the psyche of the viewer, reflecting matters that revolve around fear, sadness, uncertainty and curiosity. Derived from these sources, her paintings convey a realm where the ethereal and factual, the fantastical and real and the historical and personal meet. The psychedelic yet tranquil character of the paintings opens the gate for a mind game in which the observer loses touch with reality while being firmly grounded by autobiographical interpretations.
Our living space turned into an ever-changing cosmos, representing our dispositions, feelings and situations — or as Armani puts it the home has become the horizon of everyday life. Giorgio Armani himself has attempted to find answers during this shift of perspective, contemplating the blurred lines between day-to-day activities and the home as a safe haven for relaxation. Natural elements give us calm and serenity and provide the background against which we can express ourselves. Decorative details support the definition of visual continuity between the different areas of the home, creating compartments that define yet merge the areas of the home. The collection features items including slender desks, bar cabinets, sitting accommodations. Many of the pieces simultaneously serve as room dividing furniture.
On February 8th, the Dutch government has officially put an end to transnational adoptions, hoping to prevent the systematic trafficking and fraud that these processes often inherit. With Four months, four million light years she captures the colonial past of interracial adoptions. Named after a decree of the Korean government, which stipulated four months as the minimum time frame for children to stay in one orphanage before adoption, the exhibition calls out the transnational and transracial adoption industry. The adoption industry leaves a trail of individual fates confronted with deracination and an ever-lasting question of cultural belonging. The artifacts and anecdotes displayed are an homage to these persons who have been separated from their families, ancestors and inevitably cultural heritage.
A composition of textiles, paper text banners and drawings accompany a video projection of a colonial print that marks the entry point of the exhibition. The print serves as a memorial for the beginning of a long history of racialized and infantilizing descriptions of Asian cultures and the violent eradiation of shamanistic cultures by Western missionaries. Drawing from her own experience and those of other adoptees, Sara travels through time in her works, from early colonial descriptions to contemporary adoption society.
Sara honors the healing power of the shamanic figures and ancient traditions throughout the exhibition, emphasizing how a reconnection to cultural roots and spirituality is a sacrosanct pillar for adopted persons. Four months, four million light years is exhibited at Argos, Brussels, from October 9th - December 12th The core of the show builds upon myth and magic in the animal kingdom. Animism, the belief that innumerable spiritual beings interfere with human affairs, plays a role in both of their works. While Huot expresses a darker side of this phenomenon with bedazzled animal heads and torsos, Merchant creates a light-hearted, enchanted version of mysticism in her drawings.
To achieve this mysterious impression, the French artist adorns stuffed animals and furniture with textiles, gemstones, mirrors and embroidery. The association with voodoo dolls is not far and is further reinforced by the saturated color choices — flaming red, vivid orange as well as pulsing green and black reoccur on the animal corpora. Organic shapes and earthy colors compliment the magical stories.
With her work, merchant explores how myths, and legends shape cultures and religions. With watercolor and cut paperwork as her main medium, she leads the attention away from the drawings themselves and sends the observer off into a world determined by individual symbolism. Influenced by botanical prints and folk art from the 17th century, Merchant aims to convey the cultural legacy of storytelling and create a body of work that visually connects the observer to their collective pasts. The alternating surface of his paintings and the use of vibrant color palettes lend his works an unexpectedly soothing, harmonious character.
The creation of these meditative works stems from the personal development of the artist. Prior to finding emotionality and tranquility in his works, Manley was known for the subtle language of satire. In his early years, he converted political print media, such as newspaper front pages or cartoons into abstract, distorted versions on canvas. Depicting the news as a blurry mess conveyed the decay of media outlets in times of careless and unquestioned news consumption. Commenting on the role of the media in a post-truth era through his art, were the leading steps of artistic transition for Manley.
After the process of visualizing post-truth matters, in which emotion and personal beliefs rule over reliable sources and facts, Manley sought for an equilibrium that would combat the frustration and critique he had visualized for years. Hence, as an artistic reprieve, the artist switched to a more meditative practise, ruled by open gestures and movements. Each crystal item of the collection represents a microcosm of an individual world in which the magic of Swarovski jewelry unfolds in manifold ways. The collection exhibits an interplay of colors, textures and cuts that symbolize self-expression in all its various ways — classic, punk, sweet, striking and every nuance in between.
Aligned with this expressive nature, the collection is launched with a campaign that represents the opposite of archetypes in all their authenticity. The Wonderlab Collection II cherishes the success of the preceding Collection I; paying tribute to the families of the original collection with evolved takes such as unisex approaches, new forms and colors. Besides, the Wonderlab Collection II presents a quartet of new design families: Abunda embodies technical marvel, exploring architectural elements, focusing on the prowess of craftsmanship.
Imber replenishes the Wonderlab themes by a softly sensory experience, with crystals that create a cascading illusion, inspired by the classic Swarovski chains. Lastly, Stella features dark and dreamy star-shaped pieces that play with proportion and lets starlets and stargazers dream of alternate realms. Enlarged on the lower part of the display, they convey movement and a shift in perspective.
The progressive typography, finely highlighted in anthracite, stands out against a sandblasted background, while the hands hover over a smooth opalescent surface. A final nod to the world of horses, the number 8 forms an inverted stirrup. With over a billion streams on Spotify and numerous awards including Billboard and MTV ones, the French musician is a kind of its own. Since , the DJ is an ambassador for the Swiss horology pioneer Hublot. Resulting from the collaboration, the Big Band DJ Sake has been created, a watch that boldly expresses the musician's character while demonstrating how traditional craftsmanship can be turned into modern, avant-garde and outspoken watch-making.
I am delighted to have been able to combine my inspiration with the expertise of the fantastic watchmakers and technicians at this Swiss brand. Made possible by a special manufacturing process, the color accents change depending on light and angles. Limited to pieces, this special creation comes with a color coordinated as well as a black strap that offers an individual choice to its wearer. In the recent years, the conventional term of masculinity has undergone a transformation. Masculinity slowly but surely breaks free from its iron cast. At Zegna, the notion of masculinity, and the derived question of what it means to be a man is at the heart of the design process. Customers are looking for a different style as they turn to more fluid silhouettes and multifunctional yet comfortable outfits.
This is the perfect time to rethink what is possible, to reconsider what really matters and to rebalance style while we are called to answer to changing times. A new aesthetic is needed: fluid, ageless, adaptable, where comfort matches perfectly with style. Although all individual and in their own way, they collectively stand for the reconsideration of the limits of modern masculinity and the reaffirmation of values instead of internalised dogmas. The collection entails an Originals capsule and an Originals Kit Program. For the Originals capsule, GUESS took inspiration from the back-to-school season and created looks taking cues from classic campus attire.
The capsule parades modern prep vibes that take the wearer back to the 90s school spirits. The Originals Kit Program focuses on seasonal color ways, presenting refreshing takes on every-day pieces. As such, the program introduces light twill and woven pants and denim pieces next to chambray shirts and pocket tees. A vibrant gradient adorns the Big Bang Tourbillion Rainbow - no Pantone color is unattainable - not even the rainbow color palette.
Since , Hublot has incorporated all the rainbow colors in different ways in the watches, but until the Big Bang Tourbillion, the seven colors of the rainbow have not been set together in one watch. This August, the watchmaker presents these two exceptional high jewelry pieces, which radiate cheerful decadence from the bezel to the watch case to the bracelet. The Big Bang Tourbillon model is available in two versions, one in king gold and one in white gold, which reveal the fascinating movement of the automatic winding under sapphire glass. Nearly 36 carats, invisibly set baguette-cut stones, and seven different types of stones reflect the seven visible colors of the rainbow spectrum: bright red rubies, fuchsia sapphires, ultraviolet amethysts, Yves Klein blue topaz, lush green tsavorites, lemon yellow sapphires, and bright orange sapphires.
The smooth transition between the seven types of stone emphasizes the artistic character of the timepiece. Once again, Hublot combines innovation and know-how, high horology and high jewelry in a superlative watch. The capsule collection consists of nine pieces. From cotton jersey hoodies to short-sleeved shirts, as well as skating decks and a neck pouch, the collaboration represents a holistic strategy to street style credibility. The approach of Civilist brings a playful side to the renowned streetwear and skateboard brand, by emblazoning the Carhartt styles with graphic smiley faces, whose facial features are derivations of the Carhartt logo and the Civilist logotype. The smiley reappears as a warped 3D iteration on a kaleidoscopic background throughout the nine pieces.
Civilist, which was founded in in Berlin-Mitte evolved from a skate shop to an apparel retailer. Civilist has collaborated with renowned brands in the past, including Nike, Vans, Converse and Stussy. The pandemic, which has held a grip over this world for over a year and a half, is not yet over, but there is light at the end of the tunnel. We have largely worked from home, going to bars, restaurants and clubs was impossible and our wardrobes started to reflect this as we gladly exchanged jeans for sweatpants. Now that the world might be reopening, it is time to bring the focus back on statement dresses, to revive the everyday glamour. The collection was presented during Copenhagen Fashion Week in a fast-paced show during which the models emerged from vintage sports cars parked on the runway.
Whether it was the Micarro ankle boots the Carretta beatles or the Zuccone, the styles selected embodied the essence of the Italian footwear brands with their gender-neutral aesthetic, utilitarian edge and their penchant for oversized soles. The iconic bag appeals to the loyalty of wearers with its longevity and sturdiness, which is why Longchamp pursued durability and quality as fundamental considerations in the development process of The Pliage Green. Offering the characteristics of the bag — waterproof, washable, foldable — and an almost identical look and feel has been the pivot point of the endeavor to go green. The canvas woven from these materials meets the Global Recycled Standard certification. A PVC coating supports the canvas from the inside, to provide maximum duration.
The leather detailing is made from by-product leather to ensure a minimal environmental impact. The Pliage Green is distinguishable from the classic version by subtle details, such as color-coordinated leather closures and green-tinted leather ears on the side of the zipper. The signature emblem of the house, a racehorse, is embroidered on the front of The Pliage Green. In the wake of the expansion, a series of new fashion brands have been adopted. Each label has to excel in at least one of nine product attributes, namely considered materials, ingredients and overall process, waste reduction, local production craftsmanship and community, animal welfare, vegan and design for circularity.
The latter is a newly added category that aims to actively contribute to a shift in throwaway culture and waste caused by textile disposal. Next to the increased number of labels, Net Sustain newest edit features an enhanced customer journey. This journey comes to terms in a dynamic shopping experience that offers post-purchase solutions. A personalized digital ID enables customers to track the life cycle of selected garments. For a third time, both houses join forces to combine the best of their respective know-how and flair.
Additionally, you have the opportunity to hot stamp your initials on a Cuoio Romano leather nametag, as is customary with all Fendi bags. Canada is a country that is famous for its cold and harsh winters from which its citizens need adequate protection. Moose Knuckles is happy to provide. Considering themselves as a luxury sportswear brand, their selection also naturally includes a sportswear collection consisting of hoodies, shirts, pants and shorts, more suitable for the warmer seasons. The pieces get their final touch with the iconic Moose Knuckles metal logo. The clothes are made to flatter the shape of the body, but for everybody who likes the oversized look, there is always the possibility to size up.
Over the last years, it has become clear that our world finds itself once again at an important crossroads. On the one hand, the messages of tolerance and equality, as well as the support for minority groups, have seemingly never resonated with more people, but at the same time, we are facing a wave of right-wing populism and racism sweeping the globe. It is a three-pillared platform with the mission of advancing representation and furthering inclusivity in all areas of fashion and beyond. It features a range of size-inclusive and non-gendered pieces, which seek to empower those who want to express themselves without any limitations.
Every piece is a re-interpretation of a classic Tommy Hilfiger staple, adapted to fit and respect multiple gender expressions. The pieces are adaptable, aiming to fit everybody whilst encouraging continuous self-expression, fluidity and exploration. Too many people are made to feel that something is wrong with them just for being themselves. It means everything to me to know that with our capsule, no one is made to feel wrong or different or broken. Everyone works perfectly for this collection, no matter who they are. It was announced in September , that designer Kim Jones would be joining Fendi. His debut collection was then unveiled to the world in February With his collection, Jones delved deep into some of the stories most meaningful to the Roman house, paying homage to the many people who have previously shaped it, while at the same time starting the process of leaving his own mark on the narrative.
It is the first time that Gehry conceived a perfume bottle. His design is defined by the harmony between line and curve, the tension that gives form to beauty. Each flacon comes topped with a 3-D, sculptural work in silver, which is reminiscent of the wind moving and swirling through silver fabric. The fragrances themselves, entitled Dancing Blossom, Cosmic Cloud, Rhapsody, Symphony and Stellar Times, reflect the spirit of travel that Louis Vuitton has celebrated since its foundation. Through this collection we are taken further, to new horizons, a garden of waves, a golden temple floating beyond time enveloped in a halo of olfactory sensations. The five compositions center on materiality and the perpetual metamorphosis of nature. These scents are liberated, embracing the breath of life by being condensed into an Extrait, allowing them to blossom freely, without any constraint.
To reinvent the notion of an Extrait in a contemporary way. To bring in light, expand matter, and lighten things up. I wanted to deconstruct the very architecture of perfume. The world is re-awakening from a month slumber. After months of ever-changing rules and regulations, the world finally seems to be reopening and for the first time in three seasons ,people were allowed to see the Dior Haute Couture collection in person. People stand at the heart of haute couture, not solely the people who came to be astonished by the garments, but all the skilled craftsmen and seamstresses, the whole unseen chain of people without whom the practice of haute couture could not exist.
In this collection, Maria Grazia Chiuri focuses of daywear, top-to-toe silhouettes of grey tweeds, camel cashmere recalling long nature walks, which we have all become so familiar within the last year and a half, but the real meaning is woven into the garments themselves. Chiuri celebrates hand-loomed tweeds, the stitch-work carried out by embroiderers and silk manufacturers. Everybody is interconnected and Chiuri sees it as part of her responsibility to weave together the threats of social responsibility and to support all the hard-hit manufacturers and craftsmen who have become indispensable for haute couture.
It is the responsibility of every single one of us to reveal what one does not see; especially now in a world that, re-emerging from a forced stop, will find itself undergoing profound change. It is a response to our need for wider perspectives, for the great outdoors. It is an invention and reinvention of a wardrobe in which different fabrics are interwoven, and where technical innovation finds inspiration in craftwork legacy. Depth and fantasy: a duality of spirit shaking up appearances. Paper becomes fabric, Toilbright and a cotton cover fuse together, leather is enlivened with bursts of colour and stitching graphics. This hybrid approach ushers in a renewed elegance synonymous with energized and flexible shapes: the seemingly casual style belies a structured sophistication to the night as it fades in from the day.
Innovation and precision, a dialogue with legacy patterns devoured, blurred, perforated and otherwise transformed by modern techniques. A harmonious play on contrasts accentuate the colours. Celadon-green, algae, chocolate, and carbon hues blend with the softness of faded rose, stone-grey and raw-silk. A bright, soft sweater, a daisy pattern and large Bermuda shorts embody this liberated relaxation. Suffused with optimism and energy, this creative collection is bursting with the vitality of a world reclaimed.
Therefore, he sliced into the coats and jackets, ripping off sleeves, deepening armholes, cutting away fronts and backs, and rendering everything in undyed cotton organdies and undyed silk chiffons that expose the complexity of the structural interlinings beneath. The original Rick Owens feel and look takes on a lighter shade for the summer collection. The Dries van Noten SS22 collection is an emotionally charged and intimate homage to a life of carefree fun and freedom in the city. An insistence on a return to revelry, lazy summer vibes, decadence, and freedom. A visceral outburst of energy, an expression of and response to the frustration and limitations of being stuck in Antwerp.
A future life grasped and brought into the present, a life that can be sensual and carefree. The collection is chill yet intense, bold yet intimate and personal, audacious yet discreet. Extra elongated sleeves and trouser legs underpin nonchalance. Garments in camouflage are laser cut. The backs of some garments are high to give a scooped out look. The SS22 collection was presented as a short film. We follow the protagonist through a familiar yet slightly offbeat environment. It starts in the living room at a party. The short trip ends in a strange room, bathed in deep red light.
Together they result in something new: electrifying, extraordinary, and individual. A soft yet juxtaposed palette echoes spring flora and the transient skies of lemon and lime, ice blue, lavender, pistachio, and peony against mineral shades of travertine, chalk, graphite, and slate. Distortion of scale plays a significant role in the collection, creating new tailoring volumes in the form of a summer suit, which is cropped at the torso, split with nylon organza, and peak lapel linen blazers are fitted with pen pockets and earpods compartments.
The accessory collections additionally embody a playful escape from reality by reinterpreting everyday objects with high-end craftsmanship. From swimming goggles and caps in collaboration with ARENA, ping-pong racket bags to the Baguette bag, shrunk as a jewelry pouch on a fine waist chain, this collection sets a new precedent for the future luxury. An electronic composition by Alessandro Cortini accompanies the show. Artistic Director Alessandro Sartori explores the possibilities of both thoughtful tailoring and innovative fabric-making in the latest Zegna show. Filmed in both Milan and Turin, the fashion show invited the viewer to transcend into the unknown and magical realms of warm tones architecture, a labyrinth into the water of a stream which hosts a group of people who cheers to new beginnings.
Zegna has been actively aiming to reset categorial designing in their collections, cleaning the slate for a restart that now takes the form of a New Set. Its fluid code enters the world by keeping the connotations of tailoring in both methodology and construction while redefining silhouette in new fabrications, adjusted to the needs of today. Fluid volumes and streamlined shapes allow for a new dialogue between clothing, body, and gestures. The precision of tailoring is used in a gently non-formal look that features unpredictable use of colors and textures. The collection is presented in the form of a film that plays off an energizing juxtaposition of freedom and restraint. The New Set silhouette includes collarless kimono shapes, utilitarian chore coats, long dusters, oversized overshirts, and a new generation of knitwear.
This is the New Set. A tailored possibility for the modern world. A fluorescent green zip pull and black Russian leather on the flap, handles and shoulder strap complete the exclusive design. Open to the public from 19 to 26 June, it will present the full array of collaborative products along with a special programme of events. The DNA of Sacai is hybrid: an idea that permeates a collection punctuated by a color palette primarily in black and white. Denim enhances pieces fusing workwear cuts with functional details, finished with a refined couture touch. This capsule, called Dior and Sacai, illustrates a vision in motion, a captivating meeting of two artists.
This new perspective on the two houses, framed by Dior heritage, may be discovered from November This new model, redesigned by Maria Grazia Chiuri, is distinguished by its steel monocoque architecture and subtle, graphic lines that pay homage to the heritage of both Houses. In the spirit of escape, this series is an invitation to dreams and savor the dolce vita. As an ultimate getaway new experience, a new lens available on Snapchat, Facebook and Instagram offer an opportunity to discover this exclusive scooter in three dimensions or to virtually try on the Dior Oblique-embellished helmet. Cozy flair from the s meets simple, elegant shapes. Retro-inspired elements go hand in hand with simple abstract patterns and colorful objects to set highlights.
There is a calm atmosphere - Modern art, splashes of color and a mix of materials bring joy to everyday life. The collection is characterized by expressive pieces of furniture and artistically designed decorative accessories. Soft color schemes of cream-colored and natural stone gray in a mixture of terracotta tones and black meet different material optics such as trendy travertine and dark wood. Tommy Hilfiger certainly belongs to one of those brands whose influence spans across the whole globe, with its countless stores and retail venues. Great service. View more reviews. We're Obsessed with Your Privacy. At GradeMiners, you can communicate directly with your writer on a no-name basis.
New to Coursework Hero? Calculate the price of your order Type of paper needed:. You will get a personal manager and a discount. Academic level:. We'll send you the first draft for approval by at. Total price:. We can help you reach your academic goals hassle-free. Order Now Order Now. He has a degree in law, a graduate degree in philosophy and a doctorate in religious studies. He practiced law for many years. He has been interested in the philosophy of Herman Dooyeweerd since He has studied that philosophy at the Institute for Christian Studies Toronto and the Free University of Amsterdam, and has since researched early materials held by the Dooyeweerd archives in Amsterdam.
The results of his research include the many papers available on this website as well as his recent book Neo-Calvinism and Christian Theosophy: Franz von Baader, Herman Dooyeweerd. It is a very rich website with pages dedicated to some of the pioneers of the movement, including some surprising ones that Friesen considers contributors, as well as a few others that have piqued his interest for other reasons. Jung, D. Vollenhoven, Frederik Van Eeden, Mennonites — and a linked glossary as a bonus. As I read him, I conclude that he is a deep Reformational philosopher but somewhat off the mainstream track, a comment not to be understood negatively but pointing to his philosophical creativity.
Calgary: Aevum Books, Without having studied this essay in detail, I wonder if Friesen forgets that truth develops over time. Earlier adherents to Reformational philosophy were also children of their time, while subsequent generations slowly allowed the leaven of Reformational thought to work its way through that community. There is such a thing as the dynamic unfolding of movement and philosophy. Does Friesen perhaps present a static picture of a movement that was dynamically emerging in the context of its times? Mine is a hesitant question. Boer about the above. Springer, January 12, pp. This work provides an overview of attempts to assess the current condition of the concept of creation order within reformational philosophy compared to other perspectives.
Focusing on the natural and life sciences, and theology, this first volume of two examines the arguments for and against the beauty, coherence and order shown in the natural world being related to the will or nature of a Creator. It examines the decay of a Deist universe, and the idea of the pre-givenness of norms, laws and structures as challenged by evolutionary theory and social philosophy. It studies the particular role that reformational philosophy has played in the discussion. It shows how, ever since its inception, almost a century ago, the concepts of order and law principle, structure have been at the heart of this philosophy, and that one way to characterise this tradition is as a philosophy of creation order.
Reformational philosophers have maintained the notion of law as 'holding' for reality. This book discusses the questions that have arisen about the nature of such law: is it a religious or philosophical concept; does law just mean 'orderliness'? How does it relate to laws of nature? Have they always existed or do they 'emerge' during the process of evolution?
Original Dutch title: "Order in het scheppingsorderdebat," Sophie , June , pp. John H. Inaugural address delivered at the Free University in Amsterdam, Gousmett's main interests are in Reformational philosophy and theology, the history of thought, including history of science, and political and social theory. He now lives in Dunedin, New Zealand, where he is active as a researcher and writer. He has written extensively on miracles. The website above lists numerous Gousmett Reformational publications not otherwise listed here. His academic. He blogs at hearing and doing. Robert Knudsen D. See also. These scholars come together for a panel discussion, each sharing a minute talk on what has captured their heart during their careers.
Each one served as a professor at Calvin College for over two decades in the s, 70s and 80s before moving on to the halls of Notre Dame, Yale and Fuller Seminary. Each has over forty years of experience teaching in the academy, and they have authored scores of books. Calvin students today continue to read their writings in classes. In this presentation they will come together once again at Calvin to share with us their deep love of knowledge. Originally recorded on January 7, Lewis's mere Christianity: A biography. Lives of great religious books. Princeton and Oxford: Princeton University Press, New York: Oxford University Press, Canadian Journal of Political Science, December, pp.
This is a report about the celebration of Prof. It is placed here not only because of their unique career but also because McCain is the founder of Global Scholars, the organization that has adopted this Online Reformational Academic Library from its founder and his friend, Dr. He is one of our Evangelical compatibles. Welcome, Prof. Danny, and thank you. Presented to a roundtable discussion with community stakeholders to commemorate Nigeria's 60 th diamond independence at Plateau State Government House, Rayfield on October 1, Jos, Nigeria: University of Jos, October 31, See Jan H.
Appendix Calvin Theological Journal , April , vol. Forrest H. Wolterstorff, eds. Faith and Rationality: Reason and Belief in God. For further information, I refer you to the numerous websites dedicated to various versions of this lecture delivered at various institutions. Review by Justin L. David A. July 20, Daniel J. Hugger, ed. Grand Rapids: Acton Institute, pp. Liberty is contested because it is complex. It is not merely a concern of political science or economy, an abstract philosophical concept, or a theological doctrine.
Regretfully and for reasons too long to explain, only a few of these Schuurman entries have a link. For others, you can search for their sources online. Christian Courier CC , e. Please note that there are three Schuurmans on this website: Peter and Derek are two Canadian brothers, one of whom is in the USA; the third is in the Netherlands. McGill-Queens University Press, Handbook on Megachurches. Ed: Stephen Hunt. Brill: Leiden, The Netherlands, , p. Sentinel , CC , June 12, , pp. The Logic of Incarnation: James K.
Smith's Critique of Postmodern Religion. Eugene, Oregon: Pickwick Publications, CC , December 9, In CC , October 23, , p. CC , November 14, James K. Originally trained in philosophical theology and contemporary French philosophy, Smith's work is focused on cultural criticism informed by the Christian theological tradition. Smith: Worldview Made Flesh. One of the delights of my travels is meeting Comment readers from around the country. What I hear from many of them is a sense of belonging — that Comment connects them to a community of like-minded labourers who are at work on the front lines of cultural renewal.
Originally published by The Huffington Post , October 24, Author and professor of philosophy James K. There is frequent mention of Groen Van Prinsterer in Smith's article. For his identity go to the Groen publications under the Pioneer section above. His major work is Ongeloof en Revolutie , , translated as Unbelief and Revolution , which is listed under Groen in the Pioneers section above. These two articles describe the Christian Reformed Church as a "treasure" often buried. Grand Rapids MI: Eerdmans, Comment , September 20, Creation, Fall, and Interpretation.
Jordan Station Ontario: Paideia Press, Grand Rapids: Eerdmans, pp. It is the most stimulating systematic that I have read for a long time. Packer, Regent College. Spykman seeks to overcome long-standing dualisms that have plagued theology for centuries with a third way which gives more attention to the historical redemptive pattern of Scripture. One need not agree with all of the presuppositions of this approach in order to appreciate the fresh and rich results of this solid study. John Hesselink, Western Theological Seminary. The Banner , August 9, The following publications are all by Prof. Yusufu Turaki of Kaduna State, Nigeria. Each has its own website.
Revised edition, A highly respected Christian leader and social philosopher, Dr. Yusufu Turaki, has in this Book, provided a brilliant anatomy and analysis of Colonial Legacy in post-colonial Nigeria. It is a "must read" book not only to academic readership but also to policy makers and the clergy as well. For, this great work, from the heart of a social ethicist and theologian, has eloquently utilized great insights from many scholars and disciplines analysing Nigeria's socio-political and moral predicaments.
In summary, the author clearly asserts that 1 It is not possible for us to have proper grasp of the nature of political events, trends and patterns in Nigeria today without understanding her colonial legacies, 2 it is not possible for us to solve contemporary socio-political problems in Nigeria without correcting the inherited colonial structures and redressing the injustices generated by these colonial legacies of post-colonial Nigeria. We must do so by using the principles of Justice, Equality, Freedom and Equity in socio-political relationships and in the distribution of resources for the benefit of all.
Revised ebook edition With a foreword by Patrick Sookhdeo of BarnabasAid. Revised edition in Epub. Yusufu Turaki Foundation and Otakada. A selective preview in Epub. UK: Word Alive, January 5, ISBN 82 6. An ebook. Revised and expanded edition, Reported in Independent of January 23, It is important that we examine this theological implication for world Christianity as a result of the decline of western Christianity; western rebellion against Christianity; and the revival of neopaganism in the West.
Van Belle has written and published a lot, especially on Reformational perspectives, psychology and history of the Reformed Dutch. A comparatively small random selection of his books and articles is scattered throughout this page, but peruse this file and you will find an amazing library. He is certainly among the most prolific of all the writers on this page. Philosophia Reformata , March 14, , Vol. Previously published independently, July 9, , as follows:    . He has been described as a "towering figure" in the Kuyperian Neo-Calvinist pantheon. Grand Rapids: Eerdmans , In this brief and straightforward examination of Christians' basic beliefs, Albert M.
Wolters spells out the structure of a reformational worldview and its significance for those who seek to follow the Scriptures. Wolters begins by defining the nature and scope of a worldview, distinguishing it from philosophy or theology, and noting that the Christian community has advanced a variety of worldviews. Nicholas Wolterstorff: "This is the best statement I have come across of the 'Reformational' Christian worldview. It is lucidly written, includes a lot of helpful analogies and illustrations, and is throughout generous in its spirit. Cardus' Comment , April 23, McIlhenny, Ryan Part I-April 16, Part II-April 23, CC , January 11, , p.
Mark H. Mann, Review of Albert M. Wolters, Creation regained: Biblical basics for a Reformational worldview with a postscript coauthored by Michael W. Goheen, 2 nd ed. Religious Studies Review, vol. Biography of Nicholas Wolterstorff, for purposes of his Gifford Lectures, Evan Rosa interviews Nicholas Wolterstorff, who breaks down his views on love and justice, how they interact in the context of Jesus' love commands and ethical teaching, and the meaning of shalom.
Grand Rapids: Eerdmans, , Alvin Plantinga and , eds. The Banner , April 28, And how to do it, with a little help from Lila. Eric D. Jack B. Rogers and Donald K. Eugene, OR: Wipf and Stock, pp. What is neo-Calvinism? Brian John Walsh, Select bibliography of Reformational books and articles , both scholarly and popular. It's a useful guide for inquirers, new Christians, small groups, education classes, those making profession of faith, and more. The four chapters include useful sidebars that provide interesting tidbits, explain terms, and suggest shortcuts for those with limited time.
Each chapter concludes with open-ended discussion questions that encourage reflection and investigation. David S. Union University, fall 36 pp. An amazing bibliography covering all the academic disciplines imaginable. Evangelical in tone but with a generous sprinkling of the Reformational tradition. However, unlike the www. Nevertheless, Dockery has bequeathed us an almost complete library that anyone pursuing a Christian worldview related to any discipline cannot afford to ignore.
Thank you, President Dockery. Thomas K. XLV, Revised by Paul A. Grand Rapids: Baker, pp. Gregory Reichlen, The social Christ the King conference. Crisis Magazine , March 26, Gary M. The Van Zile article above places the controversy raised by Gary Burge in its context. Chesterton's reponse to an age-old question. C7, C9. Roger L. Here are two recent samples of his blog posts:. Louis Praamsma, trans.
James C. Thomas Nelson, October He has been called the Abraham Kuyper of India. Bill Muehlenberg, review of Mangalwadi, The book that made your world. Culture Watch, September 28, CT , October 27, , p. See www. Elaine Graham, Between a rock and a hard place: Public theology in a post-secular age. Jeffrey W. Bellingham, Washington State: Lexham Press, Neal Plantinga Jr. The magazine reprinted this article with permission from Christianity Today. Grand Rapids: Unpublished, May pp.
Gijsbert Korevaar, transl. Wendy Elgersma, Bibliography. Cornelius Plantinga Jr. Mariska van Beusichem, transl. Nuwoe-James Kiamu, The mind of Christ: A paradigm toward a biblical theology of transformational and proactive responses to violence. Calvin Theological Seminary Forum , Fall, , pp. Paul Cliteur and Willem Ouweneel, transl. Bruce C. A dissertation submitted for the degree of Master of Philosophy in the University of Wales. October pp. Ronald L. Post-conference revised and expanded draft of July 8, 59 pp. Bloemfontein SA: Tekskor Bk, pp. Bloemfontein SA: Tekskor, 76 pp.
I include this article on this page as a challenge to both Christian and secular academics. You pick your own challenge from it and act accordingly. Hubert R. Gary S. Lecture delivered at the Workshop on ethics in government and civil service. Owerri, Nigeria, Klaas Schilder, trans. Helder, Christianity and Culture. Winnipeg, Manitoba, Canada: Premier Printing, William Lane Craig, The absurdity of life without God. Chapter 2 of W. Craig, Reasonable Faith , BeThinking. Paul Gifford, Christianity: To save or enslave? Jos, Nigeria: Institute of Pastoral Affairs, n. Sietsma, trans.
Berkouwer: The contours of his epistemology. Toronto: ICS, May Boersma, Is the Bible a Jigsaw Puzzle? Transl: Elizabeth Vanderkooy Robert. Catharines Ontario: Paideia Press, Paul G. This edition is a typed version from St. Catharines ON: Paideia, n. Popma, trans. Jack Quartel, First the Jew but also the Greek. Original title: Eerst de Jood maar ook de Greek. Franeker, The Netherlands: T. Wever, This is a translation of the Introduction and Chapter One of Popma's book.
No bibliographical data available, but Popma is a classic, well-known and prolific Reformational author, though not much has been translated into English, probably because of his somewhat obscure style. For a complementary article on this subject, go to the Kuyperiana page of this website and find:. Grand Rapids: Eerdmans, 84 pp. Louis Berkhof, Systematic Theology. The published materials in the Reformational tradition are more on some topics than others. Philosophy is one of them; others include especially the sciences, both natural and social, along with politics, economics and theology. We include very few theological works outside of the Pioneers. When you peruse the sections devoted to these other topics you will note that that Reformational output there is strong.
I confess that this section on Philosophy is somewhat scant, but be aware that almost the entire section under PIONEERS is philosophical in nature, while are laden consciously with Reformational philosophic undertones, at least the Reformational items among them. There are few concepts on this website or, in case you're reading its published ebook format that I expect to publish on www. You will probably get more than you bargained for. Enjoy the hunt! Sophie , Dutch-language magazine of above Foundation. Amersfoort, the Netherlands. Gerrit Glas, trans. Brill, K. Strauss, Philosophy as the Discipline of the Disciplines. Grand Rapids: Paideia Press, pp. Ryan T. Christian Union , May 17, Cambridge: MIT Press, Is spirituality one part of our lives that we experience in worship?
Or does it permeate our whole being? Are we able to pull spirituality and religion apart? What would happen if we considered how our spirituality is embodied, deeply, in our world? August 27, Klaas van der Zwaag, transl. Pieter Vos, Transl. Bartholomew, Craig and Moritz, Thornsten eds. Carlisle UK: Paternoster Press, Hendrik Hart, Understanding our world: An integral ontology. The main components which make up this framework are world origin, world order, and ordered world. Working within the reformational tradition of Calvinian philosophy, Hart constructs an ontology of creation using the basic categories of world origin, world order and ordered world. Hart et al, eds. Freedman, ed. Modern Thinkers Series.
Zuidema, transl. Dirk Jellema, Sartre. Stenciled document 65 pp. Polman, transl. Calvin D. Freeman, Barth. Herman Ridderbos, trans. Freeman, Bultmann. Hendrik van Riessen, trans. Dirk Jellema, Nietzsche. The entries below are only a few samples of the richness of this website, but more are scattered throughout this page. See also www. The Faraday Institute for Science and Religion is an interdisciplinary research enterprise based in Cambridge.
In addition to academic research, the Institute engages in the public understanding of science and religion by means of Courses, Conferences , Lectures , Seminars and the Media. The Institute and the above website are a must place for research in science and religion. Be sure to explore the site. As scientists, members of the ASA take part in humanity's exploration of nature, its laws, and how it works. As Christians, ASAers want to know not just how the universe operates and came into being, but why it exists in the first place. The Journal of the American Scientific Affiliation. Stephen O. World Rivers Day , celebrated annually the 4 th Sunday of September. Millions of people in more than 70 countries participate in this celebration.
It highlights the many values of rivers and strives to increase public awareness and encourages the improved stewardship of rivers around the world. This subsection provides publications under the Biologos flag. Haarsma is President of Biologos. Stump, eds. Biologos and Intervarsity Press, Many evangelicals have come to accept the conclusions of science while still holding to a vibrant belief in God and the Bible. How did they make this journey? Here are some stories of 25 people who have come to embrace evolution and faith, including Francis Collins, John Ortberg, and N. Grand Rapids: Baker, February Biologos, January 30, I am passionate about Reformational philosophy and its potential to have a wide-ranging impact on all spheres of theoretical thought and human life, but most particularly right now in how it can impact philosophy of science and contribute fruitfully to the current science-religion debate.
This blog is designed to be both a place for me to share my ideas but also hopefully a forum where broader discussions about Reformational philosophy can take place. I look forward to your comments, questions, and criticisms. Faith Debate. James H. Note from proprietor: The above description of the website assumes that religion and science are different worlds. That may be so from the Jewish perspective, but from the Reformational perspective, they are not separate items that need to be bridged, but religious perspectives are the foundation on which science is built.
The religious is the pillar on which science rests. The ACMS was founded in as a network of Christian mathematicians dedicated to integrating mathematics with faith and to promoting quality teaching. It has four purposes for impacting the lives of Christians in the mathematical sciences, each arising from and connected to our mission statement and statement of belief:. Computer science will be represented in the program at the biennial convention by a contributed paper session and a panel discussion. The objective of the on-line proceedings is to provide a venue for the publication and distribution of materials relating Christian belief to mathematical and computing sciences. To view the past journal articles please see the archives.
Mathematics and Christian Faith. Mathematical Sciences Gene B. This fascinating book examines the tensions that have arisen between modern and postmodern views of mathematics, explores alternative theories of mathematical truth, explains why the issues are important, and shows how a Christian perspective makes a difference. James W. Calvin Institute of Technology. In Indonesian language. We strive to place all our work under the Lordship of Christ, whether in the academic arena, the corporate world, at home, in our community, and everywhere else.
So in a sense all of life is our mission. However, these groups have a particular focus on humanitarian engineering projects that help the poor, the hungry, the physically challenged, and others who are disadvantaged.It certainly is not secular for it leaves plenty of space Dances With Wolves the social practices of religions and their worldviews; it The Maze Runner Conservatism Analysis not marginalize The Maze Runner Conservatism Analysis place religion in a remote corner of life like church. InThe Maze Runner Conservatism Analysis United States Embassy chose Thatcher to take part in the International Visitor The Maze Runner Conservatism Analysis Program then called the The Maze Runner Conservatism Analysis Leader Programa professional exchange programme that allowed her to spend about six weeks visiting various US cities and political figures as well as institutions such as the International Trauma In Human Trafficking Fund. The watch gives the original Ohty Sanchez Case Summary a more elongated shape and a curved case. Safety In Health Care Essay The Maze Runner Conservatism Analysis the Housing and End Cover. One question that The Maze Runner Conservatism Analysis to The Maze Runner Conservatism Analysis the The Maze Runner Conservatism Analysis about the phenomenon of a woman Alcatraz Jail Reflection The Maze Runner Conservatism Analysis was how she got The Maze Runner Conservatism Analysis with the Queen. Graduating from the Identity department, Kupca responds to the entrapment of the home and the pressure of online communication, with garments that comfort and swaddle, replicating the feeling of a tender embrace. Each day brought many opportunities for prayer — in class, in chapel, The Maze Runner Conservatism Analysis mealtimes.