✪✪✪ The Bright Lights Of Sarajevo Analysis

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The Bright Lights Of Sarajevo Analysis

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The Bright Lights of Sarajevo by Tony Harrison

It is as though it is part of her own language. She feels this because she grew up in this location. Herbert uses facts to justify the killing of the narwhal. There is little emotive language in this paragraph. She is not comfortable yet with her surroundings and she feels uncomfortable with the hunt. Herbert describes the event empathetically. I urged the man on in my head; he was so close, and so brave to attempt what he was about to do — he was miles from land in a flimsy kayak, and could easily be capsized and drowned. She feared for both the creature and the human at this point.

She knew a death would occur but she was uncertain as to who she felt most empathy for. Herbert skillfully flits between highly emotive paragraphs and very factual paragraphs. This almost allows her to justify the killing of the narwhal. Some of the questions will be short questions. For these questions, you must look at the number of marks in brackets. It should be ready soon enough According to guitarist the Edge , the band realised early during the Songs of Innocence sessions that they were working on what would become two separate albums.

It's a shame that you have to stop then and start the other phase of what we do, which is playing live. This time we haven't really stopped. Bono is trying to capitalize on that momentum and that sharpness. While touring in Russia with his electronic music duo Lamb , musician Andy Barlow received an offer to produce for U2. The following week, he flew to Monaco to join the group for what he described as a "two-week tryout".

Barlow was surprised by how receptive the band members were to his ideas and how quickly they trusted him, particularly Bono. One of the first tasks that Barlow was given was helping the band advance "The Little Things That You Give You Away" past the idea stage, something that numerous producers before him had failed to do. Comparing the group's in-progress material to their album Zooropa , which was recorded between legs of their Zoo TV Tour , the Edge said the Songs of Experience songs were "a lot more developed". After his time with U2 in Vancouver, Barlow was officially given the job of producer. The producer described the process as "piecing individual pieces of a jigsaw puzzle". By his estimation, only 10 percent of his work took place in actual recording studios—most of it was done in dressing rooms, hotel rooms, and mansions.

Through October , the band had written approximately 18 songs, from which they planned to select Around this time, the Edge wrote a new song provisionally titled "Tightrope". They outfitted the house with a makeshift recording studio and jammed in the parlour overlooking the bay. Mullen used a second drum kit positioned in an echoing stairwell. However, while working on the album in Los Angeles late that month, the Edge indicated that it was not near completion: "It's really hard to say at this point when it will be done. We're definitely still in the weeds here. We're not booking the pressing plant, so to speak, just yet. He further added, "We are trying to really be brutal with the material and only focus on the things that we're really convinced are the best ideas.

I would say we're now at the point of starting to really edit down to the core collection of songs that will make the record. Things are still in their rough state, but sounding really great. In May, musician Ryan Tedder , reprising his role as co-producer of Songs of Innocence , said, "I've never seen them this focused," while describing their in-progress material as their most exciting since 's All That You Can't Leave Behind. You might see a few things in September or October though. The group had planned to release Songs of Experience in the fourth quarter of , but they ultimately decided to delay it.

After the shift of global politics in a conservative direction, highlighted by the UK's Brexit referendum and the US presidential election , the band wanted to reassess the tone of the album. So we gave ourselves a moment to reflect if this was a good idea, and concluded it might be better to wait for a minute. To pause, see what was going on in the world, see if the album we had just finished was what we wanted to say. But it has to now go through the filter of what's happened in the rest of the world. U2 were interested in exploring different production techniques and arrangements for their songs. I mean, that record, when we performed it live, the songs became very, very masculine and very tough and we didn't really capture that on the record.

The group were hoping to find arrangements that would work live and on record, so as to avoid their habit of recording, releasing, and ultimately rearranging songs when preparing for a tour. In an interview with Charlie Rose in September, Bono affirmed a tour would take place in but was non-committal on a release date for the album. As the sessions continued, Bono had what the Edge called a "brush with mortality". However, he said the incident affected the overall mood of the album and made him realize "Not surrendering to melancholy is the most important thing if you are going to fight your way out of whatever corner you are in.

U2 felt that their chemistry was not adequately represented on the album's recordings to that point. The Edge called it "the best of the band chemistry mixed in with the best of the 21st-century production technology. In an April cover story for Mojo , Clayton said there were 15 or 16 songs that were contenders for the album, which they still hoped to whittle down to During an interview with Hot Press on the second date of the tour, Bono mentioned a new song entitled "American Soul". In September , the Edge said the band had agreed upon the album's track listing, running order, and mixes, indicating that it was "absolutely ready to go beside the last polish", such as small mixing tweaks or lyrical changes.

The lyrics of Songs of Experience reflect the "political and personal apocalypse" that Bono felt had occurred in his life in , referring to his "brush with mortality" and the global events that occurred around the rise of conservatism. He said, "I know U2 go into every album like it's their last one but even more this time I wanted the people around me that I loved to know exactly how I felt. Songs of Experience , as a companion piece to Songs of Innocence , contains a number of callbacks to its predecessor.

The "you are rock and roll" middle eight from Innocence ' s "Volcano" is re-used as the chorus for "American Soul". The album's packaging was designed by Shaughn McGrath, [82] with the firm AMP Visual handling the album's design, art direction, and marketing. They ultimately decided to focus it on something other than the band members and to continue the family theme from the cover of Songs of Innocence , which depicted Mullen with his son, Elvis. Contrasting with this, Sian is wearing a US M1 military helmet , which was meant to symbolise the harsh realities of the world they must face. The album art was first shown in May during the opening concert of the Joshua Tree Tour , when it was displayed on the stage's video screen after a performance of "The Little Things That Give You Away".

The album's title, along with that of Songs of Innocence , are taken from William Blake's collection of poems Songs of Innocence and of Experience. U2 collaborated with their label Island Records for the release of Songs of Experience , marking the first time since How to Dismantle an Atomic Bomb in that the label contributed to one of the band's albums. Island managing director Jon Turner said the label worked towards the album release for an estimated 18 months. After the no-cost iTunes release of Songs of Innocence that generated negative press, promotion of Songs of Experience was more traditional, with an emphasis on "embracing all digital platforms". On 21 August , several U2 fans in the United States received cryptic letters via postal mail teasing a new release from the band.

The letters contained text mentioning Blake's Songs of Innocence and of Experience , with a silhouette of Bono's son and the Edge's daughter from the album cover blocking out most of the text except for a few words, revealing the message, "Blackout The bottom of the letters said "U2 will announce" but blacked out the release title and date. The following week, on 6 September, "You're the Best Thing About Me" was released as the album's lead single, [94] and The New York Times published an article on the album, stating it would be released on 1 December. In late October, fans once again received mysterious postal mail letters, this time containing the Songs of Experience track listing blacked out except for one song.

Songs of Experience was released on 1 December on several formats: compact disc, vinyl record, digital download, and streaming. Amazon Music produced online radio programming about the band called The U2 Experience. The content, which was available for the two days prior to the album's release date, included songs from across the band's career, interviews, and live recordings from the Joshua Tree Tour Several promotional singles and remixes of the album's songs were released. Released in partnership with Third Man Records , the single includes the album version of the song and a remix by Jacknife Lee. Songs of Experience received generally mixed reviews from critics. The review concluded, "U2 have built a stadium rock cruise liner they've zero interest in rocking, and ' Experience' is 50 minutes of very plain sailing indeed.

He said that the lyrical rewrites to reflect the political climate resulted in the album being "full of references that can feel shoehorned in". The review said the band had been "reduced to hackneyed cheap tricks and tired old truisms barely worth the chords they're strung on — which are themselves the limpest melodies of their career. He assessed that "the band rarely builds up enough momentum to achieve lift-off, instead slowing to an adult contemporary -friendly gait for much of the album's second half.

James McNair of Mojo called Songs of Experience an "infinitely more satisfying beast than its patchy predecessor" and "U2's strongest album this century". He praised the record for its hooks and for its final songs, on which he felt Bono was at his most vulnerable. The review lauded the group for their ability to evoke a range of moods and sounds: "U2 have dug deep, yet they remain both postmodern and unpredictable. Able to assume many sounds and voices; to invoke their early-'80s innocence, but also none-more-experienced, masters of every inch of their game".

He was complimentary of the group for melding their personal conflict with the positivity of their music, saying the album demonstrates them at "their most mature and assured, playing songs of passion and purpose, shot through and enlivened with a piercing bolt of desperation". Fricke praised the group for offering glimpses of their past work, saying, "The mounting effect is a charge of dynamic moods and a still-certain mission". He singled out the moments dealing with Bono's "brush with mortality" as highlights, calling them the "most natural and enjoyable, as if concerns about their frontman's potential demise caused everyone to stop worrying about U2's place within the contemporary scheme of things and focus on the music".

In their end-of-year rankings, Rolling Stone named Songs of Experience the third-best album and "Lights of Home" the fifth-best song of Songs of Experience debuted at number one on the US Billboard with , album-equivalent units earned in its first week, , of which were sales. Songs of Experience was the band's eighth number-one album in the US, the third-most of any group, and made them the first group to attain number-one albums in the US in the s, s, s, and s.

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